Music

Mate Ururoa

Works with taonga pūoro, Opera

For  2 baritones, mezzo and large ensemble

Text in Māori and English by the composer

Commissioned by and written for baritone, David Tahere. The premiere at Carnegie Hall in New York was scheduled for November 2021 but has been postponed because of Covid. The premiere performances were given by Wellington Opera from 11-13 July 2025 at Hannah Playhouse with David Tahere, baritone, Ariana Tikao, singer and taonga pūoro player, and Stroma conducted by Hamish McKeich. The opera was directed by Sara Brodie.

Mate Ururoa | Wellington Opera

About the work

During World War 1, Roger Dansey, of Te Arawa, a captain in the pioneer battalion, disobeys his commander’s orders to save the lives of his men. The piece explores the differences between Māori and European approaches to war.

‘Kaua e mate wheke, mate ururoa — don’t die like an octopus, die like a hammerhead shark’ was a saying used in the Dansey family.

Characters and instrumentation

Captain Roger Dansey — baritone
Commanding Officer — baritone
Whaea — mezzo-soprano

Mate Ururoa is scored for an ensemble of taonga pūoro, flute doubling alto flute and piccolo, clarinet doubling E flat and bass clarinet, bassoon, trumpet, percussion, violin, viola, cello and double bass.

Percussion instruments are: marimba, vibraphone, 2 timpani, rototoms, bass drum, wood blocks, wooden drum, metal chimes, 5 suspended cymbals, tamtam, thundersheet, stones and poi.

Scores and recordings

The score will be available from SOUNZ after the premiere performance.

Articles and interviews

Elizabeth Kerr wrote about this work in a blog celebrating my 80th birthday.

Gillian Whitehead at 80 — publication

Together with director Sara Brodie and baritone David Tahere, I was interviewed by Kathryn Ryan on RNZ about the work and the preparation of the premiere.

Rotorua war hero story told in new opera, Mate ururoa — RNZ

Reviews

Elizabeth Kerr reviewed the premiere performance.

Gillian Whitehead’s Mate Ururoa: powerful storytelling with aroha and pride — Five Lines

Hariara Moriaty reviewed the work for TheatreView.

Bold, elegant and filled with mana — TheatreView